Sticker Happy is one hell of a
record. Not the band’s best, but definitely their craziest, and the one with best
damn cover art. It’s a cacophony of many things. This is the Eraserheads, both
old and new, at their wackiest – a strange brew of guitar pyrotechnics, pop
songs, techno, sex and rock &roll – one mess of a record spinning around
violently, destroying everything in its way. The release of Eraserheads’ supposed proper follow-up
to Cutterpillow, marked the time when their albums stopped selling like hot
cakes. Well, it was probably the time when most fans started to have second
thoughts on every new Eraserheads album. By the time Sticker Happy came out late
in 1997, most people have already established the gold standard for local
alternative rock – it’s either Circus or Cutterpillow. Most fans were expecting
another Cutterpillow, but Sticker Happy wasn’t it. After listening to it, a
friend of mine said that they’ve changed
– along with some puny remarks – as if the best band in the land released their
first bad album. But the band couldn’t just keep writing the same old songs for
cheescakesakes. They had to inject new things to their craft. ****
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