Rock is dead theorem was actually bollocks. Unbeknownst to
many, Pavement's Brighten the Corners actually saved rock n' roll in '97. And paved the way for Superdrag's pretentiously titled Head Trip In Every Key the following
year, which proved that rock wasn't just breathing fire, but was actually alive
and kicking asses, albeit murderously. But then, Superdrag and their music
(ditto with Pavement) never had that counterculture baggage for the industry
and media to exploit. Thus, this masterpiece never stole the spotlight. While
the band boasts melodic burst after burst of glorious fuzz, they were probably
closer to breezy power-pop of Fountains of Wayne than to the darker sound of the early
nineties. And while their label were probably aiming them to be the next big
thing, John Davis and his cohorts had
another thing in mind - make another great album without repeating Regretfully Yours. Unfortunately, it flew under the radar and never made a hit, and so the band got
dropped subsequently. The world is not fair. Pitchfork, Slant and everyone, this band deserves to be on your list. A
forgotten classic. Though they never really cared about hits, especially on this
album, this isn't Nirvana trying to be unlistenable on In Utero. This is not a band trying to shy away
from the spotlight. Superdrag meant it to be shared and heard. And they're just
there, hanging around the corner, waiting, secretly watching and yearning for
those precious minutes you wasted, quietly inviting you to grab those headphones, press play and listen. *****
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